{"id":1989,"date":"2012-09-01T15:07:16","date_gmt":"2012-09-01T14:07:16","guid":{"rendered":"http:\/\/www.candice-nguyen.com\/?page_id=1989"},"modified":"2022-07-31T18:35:08","modified_gmt":"2022-07-31T16:35:08","slug":"affinites","status":"publish","type":"page","link":"https:\/\/www.candice-nguyen.com\/fragments\/contact\/affinites\/","title":{"rendered":"AFFINIT\u00c9S"},"content":{"rendered":"

\u00c9CRILIRE<\/h3>\n

Andr\u00e9 Velter<\/a> \u2022 Arnaud Ma\u00efsetti<\/a>\u00a0 \u2022 Beno\u00eet Vincent site<\/a> et GEnove<\/a> \u2022 Brigitte C\u00e9l\u00e9rier<\/a> \u2022 Camille de Toledo<\/a> \u2022 Charles Pennequin<\/a> \u2022 Christine Jeanney<\/a> \u2022 Christophe Grossi<\/a> \u2022 Claro<\/a> \u2022 Daniel Bourrion<\/a> \u2022 Didier Da Silva<\/a> \u2022 [ dit janu ]<\/a> \u2022 Emmanuel Delabranche<\/a> \u2022 Florence Trocm\u00e9<\/a> \u2022 Francis Royo<\/a> \u2022 Fran\u00e7ois Bon<\/a> \u2022 Fred Griot<\/a> \u2022 Gabriel F : Silentblocs<\/a>\u00a0et Gabrielsf<\/a> \u2022 Guillaume Vissac<\/a> \u2022 Jean-Philippe Toussaint<\/a> \u2022 Vies de John Wilford<\/a> \u2022 Karl Pro<\/a> \u2022 Kill Me Sarah<\/a> \u2022 La M\u00e9duse et le Renard<\/a> \u2022 La Plan\u00e8te des Signes<\/a> \u2022 Lucien Suel<\/a> \u2022 Mahigan Lepage<\/a> \u2022 Marc Perrin<\/a> \u2022 Marie Cosnay<\/a> \u2022 Marie Richeux<\/a> \u2022 Martine Sonnet<\/a> \u2022 Maryse Hache<\/a> \u2022 Michel Brosseau<\/a> \u2022 Mich\u00e8le Dujardin<\/a> \u2022 Nathana\u00ebl Gobenceaux<\/a> \u2022 Nicolas Esse<\/a> \u2022 Olivier Gu\u00e9ry<\/a> \u2022 Perrine Le Querrec<\/a> \u2022 Philippe De Jonckheere<\/a> \u2022 Pierre M\u00e9nard<\/a> \u2022 Quentin Leclerc<\/a> \u2022 Robinson en ville<\/a> \u2022 S\u00e9bastien M\u00e9nard<\/a> \u2022 S\u00e9bastien Rongier<\/a> \u2022 Thomas Vinau<\/a> \u2022<\/p>\n

<\/div>\n

COLLECTIFS, REVUES<\/h3>\n

L\u2019Autre Quotidien (Nuit & Jour)<\/a> \u2022 Cahiers d’ethnomusicologie<\/a> \u2022 Chao\u00efd<\/a> \u2022 D’ici l\u00e0<\/a> \u2022 Hypoth\u00e8ses.org<\/a> \u2022 Gradhiva<\/a> \u2022 Indiectators (le bon go\u00fbt malgr\u00e9 toi)<\/a> \u2022 L’impossible<\/a>\u00a0\u2022 La vie manifeste<\/a> \u2022 Le convoi des glossolales<\/a> \u2022 Le 1 hebdo<\/a> \u2022 Open Culture<\/a> \u2022 PLATEFORM magazine<\/a> \u2022 Projet Gutenberg<\/a> \u2022 Publie.net<\/a> \u2022 Remue.net<\/a> \u2022 Revues.org<\/a> \u2022 Sans A<\/a> \u2022 Urbain trop urbain<\/a> \u2022 Vacarme<\/a> \u2022 Vases communicants<\/a> \u2022 Vents contraires<\/a> \u2022 UbuWeb<\/a> \u2022<\/p>\n

<\/div>\n

IMAGES<\/h3>\n

American Suburb X<\/a> \u2022 Entrelacs<\/a> \u2022 \u00c9tudes photographiques<\/a> \u2022 Europa Film Treasures<\/a> \u2022 Faux Amis – blog<\/a> et site<\/a> \u2022 fr\u00e9d\u00e9ric chabot<\/a> (en cover ici) \u2022 H\u00e9l\u00e8ne P\u00e9<\/a>\u00a0\u2022 Jean Thevenin (Jaune)<\/a> \u2022 Junku Nishimura<\/a> \u2022 Kogonada<\/a> \u2022 Lorenzo Eroticolor<\/a> \u2022 Mathieu Drouet<\/a> \u2022 These Americans<\/a> \u2022 Tony Zhou<\/a> \u2022<\/p>\n

 <\/p>\n

SONS & MORE<\/h3>\n

ARTE Radio<\/a> \u2022 Fr\u00e9d\u00e9ric D. Oberland<\/a> \u2022 Emmanuel Guilho<\/a> \u2022 Moriarty<\/a> \u2022 Pas la peine de crier<\/a> \u2022 Valparaiso<\/a> \u2022<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9CRILIRE Andr\u00e9 Velter \u2022 Arnaud Ma\u00efsetti\u00a0 \u2022 Beno\u00eet Vincent site et GEnove \u2022 Brigitte C\u00e9l\u00e9rier \u2022 Camille de Toledo \u2022 Charles Pennequin \u2022 Christine Jeanney \u2022 Christophe Grossi \u2022 Claro \u2022 Daniel Bourrion \u2022 Didier Da Silva \u2022 [ dit janu ] \u2022 Emmanuel Delabranche \u2022 Florence Trocm\u00e9 \u2022 Francis Royo \u2022 Fran\u00e7ois Bon \u2022 […]<\/p>\n","protected":false},"author":3,"featured_media":21678,"parent":1251,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1989","page","type-page","status-publish","has-post-thumbnail","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/pages\/1989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/comments?post=1989"}],"version-history":[{"count":67,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/pages\/1989\/revisions"}],"predecessor-version":[{"id":22996,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/pages\/1989\/revisions\/22996"}],"up":[{"embeddable":true,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/pages\/1251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/media\/21678"}],"wp:attachment":[{"href":"https:\/\/www.candice-nguyen.com\/fragments\/wp-json\/wp\/v2\/media?parent=1989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}